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It’s possibly the best of it’s comedic genre. Just commit to the entire series in order. It isn’t that long. Hank is an all-timer.Only saw a couple of episodes and it hasn't wowed me..it's definitely good and funny.
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It’s possibly the best of it’s comedic genre. Just commit to the entire series in order. It isn’t that long. Hank is an all-timer.Only saw a couple of episodes and it hasn't wowed me..it's definitely good and funny.
Okay I'll start watching. I'll make a thread about it.It’s possibly the best of it’s comedic genre. Just commit to the entire series in order. It isn’t that long. Hank is an all-timer.
Hank is the best. If there were a contest for the biggest schmuck in the world, he'd come in second.It’s possibly the best of it’s comedic genre. Just commit to the entire series in order. It isn’t that long. Hank is an all-timer.
haven’t even seen the episode yet, but the fact that they had to change the character makes me doubt them already.If you’re talking about the Cupid Ye episode I agree .
Not only that, but he rendered the old series meaningless, as if it'd never happened in the first place.Lynch knew that when he created Twin Peaks. He wanted to create a show with narrative stasis -- lots happening but nothing revealed -- a mystery from beginning to end. Of course the medium/execs beat him and so it's revealed that Bob/TV kills Laura and the show. It took him a film and a sequel series 25 years later to salvage his vision.
That's hilarious, I never realized that.Not only that, but he rendered the old series meaningless, as if it'd never happened in the first place.
Total deconstruction. Laura jumps off James' motorcycle at Sparkwood and 21, and Cooper intervenes, which means she never goes to Leo's cabin in the woods. The entire mythology is erased. And the TP fan service he did deliver was all skewed, off its axis, and warped.That's hilarious, I never realized that.
I like how he finally brought the main character back at the end of one episode, only to completely change his character again at the start of the next episode.Total deconstruction. Laura jumps off James' motorcycle at Sparkwood and 21, and Cooper intervenes, which means she never goes to Leo's cabin in the woods. The entire mythology is erased. And the TP fan service he did deliver was all skewed, off its axis, and warped.
haven’t even seen the episode yet, but the fact that they had to change the character makes me doubt them already.
No Larry Sanders?
I need to not only laugh out loud at a show for it to have my seal of approval, but I need to have it impact my life and psyche somehow.
Larry Sanders is just a show to me. How is it Seinfeld tier?
Probably my favorite scene in the entire show. Everything in it makes me laugh from Denver having committed 638 errors to Randy imagining Sharon cheering him on despite her yelling at him to stop the entire episode. That was peak Randy. Early Randy was just a dad. The last 8 seasons of him has been insufferable. This was the happy medium.
It's a top 3 show. It's as interesting as it is funny.I'd say try it again. I can't think of a comedy with better writing.
RET'S FIGHTING ROOOOOVEThe samurai one where they hit Butter’s in the eye with a throwing star and dress him up like a dog (not the actual title)
It's the smart thing to do when dealing with something so polarizing that you've got two sides who essentially live in their own alternate realities and both of them are delusional. You either lean to one of them and get flack from the other or take a subdued, middle-of-the-road approach that can't actually satirize anything properly.i hate to lament this point
but mike judge is a better comic for not addressing trump
The only political thing I remember from Mike Judge was the King of the Hill episode where Hank meets Bush and can't vote for him because he had a limp handshake.I've been sleeping on the new Porky's Butthole but seeing all these glowing endorsements by the brothermen convinced me to give a watch.
RET'S FIGHTING ROOOOOVE
It's the smart thing to do when dealing with something so polarizing that you've got two sides who essentially live in their own alternate realities and both of them are delusional. You either lean to one of them and get flack from the other or take a subdued, middle-of-the-road approach that can't actually satirize anything properly.
That's assuming you even want to discuss it. South Park's brand has been to comment on current events so they really couldn't have afford to disregard Trump. Mike Judge's work has this kind of weird charming timelessness to it. It's clear he's an intelligent writer who knows how to sidestep all the holes the self-important fall into and he keeps his focus on what matters.
And even that's not even really a dig at Bush or anything, it's just another reflection of Hank's character as this down-to-earth Texan boomer and how he looks at the world.The only political thing I remember from Mike Judge was the King of the Hill episode where Hank meets Bush and can't vote for him because he had a limp handshake.
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