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Sopranos also has blacks and fags. But a storyline done properly with gays is the Vito storyline. Not the omega genius dyke cop who is a natural hardened detective and future community leader who rats out other cops and is portrayed as some type of hero in the end. Or the fag spiderman acrobatic circus act that Omar the drug robber was. Who was like an SNL parody of a character.So basically it has black and gay people in it so you immediately dislike it? Just say that and don't try to break it down to it's bare parts to make a case that it objectively sucks.
The two real life people Omar was based on were both straight. But the Vito storyline was based on a real gay gangster who went to swingers' clubs and was killed for being bisexual. So The Sopranos is the more realistic show than the Wire as usual. And The Wire is for reddit fags who need fantasy shows about oppressed minorities and other nigger types. "OH MY GOD OMAR IS SO COOL!!!".
No. It shows what a hypocritical kike Hesh was. Had nothing to do with Tony. Junior taxes Hesh $500K and points in the first season. Tony negotiates the points down and gets the tax down to $250K. AND on top of that Tony gives his $50K of the tax right back to Hesh. Saving Hesh $300K immediately and more in the long run. Yet Hesh like a kike demands his money from Tony when we see that Tony all around had every intention of paying Hesh back. When Carlo says to Tony "why not just kill Hesh?" Tony immediately says "how would it look if the boss of the family does not pay his debts?".And the Hesh and Tony money storyline is supposed to highlight what a piece of shit Tony is, but of course you missed that and also I'm a complete fucking faggot.
Hesh is nothing without Tony. They do not need him at all. He literally does nothing for them other than loan money that they could easily loan themselves to degenerate gamblers. Tony cuts him in because his father was friends with Hesh and nothing more. Hesh is an old man and old enough to be Tony's father. He was never Tony's associate.
Plus Meadow's boyfriend in college was a jew who is portrayed as a total loser. They also had the jew wedding where the valet is dying from blood loss and the jewish doctor ignores it and says "that was a fucking Mercedes convertible". Instead of helping. Also it is implied that Matush Gia, is a mossad agent, who is working with muslim terrorists and gangsters.Sopranos also had the story of Tony and Ralph getting involved with Assemblyman Zellman in the housing project scam, which accurately depicts the Jewish plot to use black special interest groups.
None. Same with making Omar gay. Having nigger cops mix with White women. Having Rawls be a secret fag.What was the significance of the lesbian relationship in The Wire other than pandering?