He's the ultimate degenerate. But I can't deny he has good direction on film.
Annie Hall has lost its luster at this point. There's still some funny scenes, but the older I get, the more I realize what we're watching is a carefully edited section of what was otherwise an anthology film. Lucky bastard realized he had one story in it that worked well and ran with that.
His serious films are where it's at. Hannah and Her Sisters, Match Point, they're so against what you think would be his kind of film, that I can't discredit it no matter how hard I want to. You look at the Kevin Smith's, Judd Apatow's and, I say this purely in terms of feeling, Spielberg's, their films feel very similar. Could be shot blocking, style, a feeling you can't even explain, but you always know it's THEIR films. Woody Allen, though, it's as if he turns on a different switch in his brain; the feeling, pacing, even the structure is not like his usual films.
I hate the guy for his misdeeds, but that IS talent when you can do that.